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The Invisible God: The Earliest Christians on Art, by Paul Corby Finney
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This revisionist study challenges the received opinion that in its earliest manifestations Christianity was a form of religiosity opposed both on principle and in fact to the use of pictures. Paul Corby Finney argues that the well-known absence of Christian pictures before A.D. 200 is due to a complex interplay of social, economic, and political factors, and is not, as is commonly assumed, a result of an anti-image ideology. The book documents the origins of Christian art based on some of the oldest surviving Christian archaeological evidence, and it seeks to show how the Christian products conformed to the already-existing pagan types and models. This study will interest scholars and students in the fields of church history, ancient history, archaeology, art history, classics, and historical theology.
- Sales Rank: #2140319 in Books
- Published on: 1997-09-18
- Original language: English
- Number of items: 1
- Dimensions: 9.20" h x .80" w x 6.10" l, 1.30 pounds
- Binding: Paperback
- 352 pages
Review
"This is a major book about a major topic....Clearly written, at times elegant and provocative....Finney's book was a pleasure to read and will be promptly recommended to my students."--The Journal of Religion
"This book is both learned and ground-breaking....Finney's work is an important contribution to the study of early Christian art history."--Bible Review
From the Back Cover
'The Invisible God is an important book, a fresh and long-needed reexamination of a range of issues in early Christian art and a challenge...to a number of prevailing assumptions in the field. It deserves the attention of classicists, students of art, historians of late antiquity, and patristic scholars.'New England Classical Newsletter and Journal
About the Author
Paul Corby Finney is at University of Missouri, St. Louis.
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